
None of this should suggest that Ms. Hahn, who is 32 next month, less than completely serious about his art. He is widely recognized as one of the top Fiddlers era, with a warm tone, brilliant technique and perfect intonation. After a long tenure on display in the works that have been written for the instrument, he has diligently newly commissioned new pieces.
A violin concerto written for her by Jennifer Higdon won the Pulitzer Prize in 2010, and now Ms. Hahn is immersed in “In 27 Pieces: The Hilary Hahn Encores” which sounds like it belongs under glass at the Morgan Library. In fact, this project is the opposite of fragile, music seems durable. It consists of or will, when completed, of the 27 miniatures anywhere from 1 ½ to five minutes. Intended for the repertoire that does not have a champion since the increase Fritz Kreisler, the pieces will eventually individually or in small groups applied on larger jobs. For now, however, Ms. Hahn with 13 short works in a program of Bach, Beethoven and Brahms, that he and pianist Valentina Lisitsa will bring to Atlanta on Thursday, Davis, Calif., on Saturday, to Los Angeles and Fort Lauderdale Tuesday, Florida, on November 6.
“I never expected to be 27 pieces,” said Ms. Hahn, sipping tea in a restaurant shortly after the presentation of the program on a large filled both Benaroya Hall here last week. “I think maybe 10, and I hope that some of the composer to say no But for the most part they do not .. I think that only five of them said I could not do it because their agent said that they overbooked, and they have a hard time describing what that they would write in such a short form. ”
Currently, he commissioned works by 26 composers. Among them are European fashion (Krzysztof Penderecki, Einojuhani Rautavaara, Valentin Silvestrov) American Masters (David Del Tredici, Mrs. Higdon, David Lang, Paul Moravec), genius children (Mason Bates, Nico Muhly) and wild card (James Newton Howard) . To fill the last place, Ms. Hahn has found a contest that everyone can come. (Details can be found on its website Www.hilaryhahn.com.) To ensure the impartiality, the applicant’s identity is not disclosed to the violinist only after they chose the winning entry on June 15, 2012.
The part that won the game will be bundled with 13 other Encores Ms. Hahn played in public, but plans for next season. After the show in Fort Lauderdale, the current set of encores will be provided until April 2012, when the violinist who performs in Europe for the first time.
Ms. Hahn began to think long encores, after realizing that some colleagues have nearly identical collection of short pieces on the CD. “I remember thinking that I would not do what so many people have done,” he said. “And then I thought, I do not have the new Encores lately written, so it’s probably a good idea.”
Ms. Hahn’s thinking is that for a while. There is a funding problem, people will have to pay for these composers write music. “Everyone says it is a great idea, but nobody really knows how to help,” said the violinist. “Then, three years ago, I realized that I’ve done it myself.”
A series of simple sponsorship eventually paid for the value, the money in a meeting in private homes. Ms. Hahn did not donate money to the project. “I do not think it looks like I choose one over the other composers,” he said. “And I was so much to do. I want to bring someone else.”
To help you select a composer, Ms. Hahn asked for opinions from friends and colleagues. He used the Internet for research. But the Web is more than a tool wan. This is the active component in the decision. “I want to find the listener, these composers and their music online to hear,” he said. “So my project is both an end in itself and also an entry point for the public in other music from them.”
Practical considerations are also factors. “I spoke with presenters and agents,” said Ms. Hahn. “I want to know what it’s like to work with their collaborators Are they good?. Are they on time? There’s a lot. You can not like the music of others and ask them to write something for you. Well you can, but then you have to convey to the audience And if you do not, it’s not fair to the composer or the community .. ”
Final choice reflects a healthy mix of Western and Eastern cultures, men and women, old and young. But diversity has a price. “It does not matter if a piece of three minutes,” said Ms. Hahn. “I still get all the work And if I do not play many composers, I have found the entry point .. That’s my biggest challenge is to do justice to all the pieces at once. They all have individual characters, and I must bring them to enter into the muscle and my head. ”
But the violinist would not have otherwise. “I knew this would be a great project,” he said, “but it’s really worth I have a community of artists and composers are introduced,. And it’s a deeper connection than I ever expected.”